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As the classical Constructivism
(Malewich, Mondrian) formulates the extreme positions motivated by the philosophy of life,
the work of Siepmann moves inside these fixed limits. But therein he develops his very own
language of painting, that after all is rooted in the german Art Informel, to which he
contributed remarkable in a period of his work. Sensitivity and intellect, emotion and
calculation are combined in such a way that Constuctivism and Painting obtain a new and
very independant quality. As a foundig member of the group Young West 1948 in
Recklinghausen, one of the origins of the german Informel, he perceived, processed and
developed many influences of the period after the Second World War, but he always has
followed the principle of order in his paintings. His emotion as a painter is controlled
by a domineering order. Until his remarkable late period he kept this balance continuously
on the highest level. The significant architecture and the shades of colours form a union
full of tension. |